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TECHNOLOGY
SERVICES
TRAINING
&
eLEARNING
PRODUCT
MARKETING
SUPPORT
DISPLAY
CALIBRATION
Building
the
Educational
Bridge
Papers
and
Information
AUDIO
AND
VISUAL
SCIENCES
AUDIO
AND
VISUAL
SCIENCES
LIGHT
AND
CAMERA
SENSITIVITY
CALCULATOR
Quicktime
NCLC
Tags
Click
here
to
watch
a
replay
The
first
part
of
this
Webinar
will
feature
Warren
Eagles
CSI
and
Stuart
Pointon's
monitor
evaluate
movie.
7
SDR
color
grading
options
for
under
$5000US.
What
are
the
pros
and
cons
of
these
monitors.
Ideal
for
somebody
looking
to
start
their
own
grading
facility.
If
you
are
looking
for
a
free
color
science
monitor
geek
out
tech
session
don't
register
as
you
will
be
disappointed.
Colour
Management
Quiz
Jervis
Bay
Sea
Temperature
Jervis Bay Sea Temperature
RETIRED
&
Started
Living!!
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Terms
and
Conditions
CONSULTANCY
SERVICES
Workflow
colour
_
Pipelines
DESIGN
CONSULTANCY
Product
Marketing
and
Support
p
Post-Production
Systems
Design
HOME
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&
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Terms
and
Conditions
Training
-
Bridging
the
Arts
and
Sciences
BESPOKE
TRAINING
CLOSE
CLOSE
-
-
CLOSE
Practical
Technology
for
Cinematography
and
Television
HOME
CONSULTANCY
&
Technical
Services
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Terms
and
Conditions
Colour
Management
for
Photographers
and
Graphic
Artists
HOME
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Terms
and
Conditions
Left
Click
and
Drag
Mouse
to
Compare
Click
to
Select
DISPLAY
CALIBRATION
SERVICES
PIX-E7
SmallHD
502
SmallHD
702
Panasonic
17â€
5000hrs
Why
Calibrate?
Slide
the
mouse
across
the
image
to
compare
the
original
with
various
monitor
displays.
These
examples
are
from
real
display
profiles
of
professional
monitors
1.
Pix-E7
is
Out
of
Box
2.
SmallHD
502
is
Out
of
Box
3.
SmallHD
702
has
<
50
hours
4.
Panasonic
BT-LH1700
5000
hours
Video
TV
and
Film
Reference
Display
Calibration
Services
PAVtCAL
offers
expertise
in
display
monitor
calibration
services
in
the
film,
television
and
photography.
Home
theatre
is
available
on
request.
PAVtCAL
uses
the
highest
quality
instruments
and
software.
This
includes
the
Colorimetry
Research
CR100
colourimeter
with
most
display
types
matched
to
a
Colorimetry
Research
CR300
spectrophotometer.
The
software
used
to
profile,
measure
and
create
luts
is
Colourspace.
PAVtCAL
has
the
full
INF
license
for
Colourspace
with
all
the
tools
and
flexibility
that
this
entails.
Colourspace
allows
for
fast
small
profiles
to
be
used
where
the
monitor
is
a
high
grade
linear
monitor.
This
saves
a
time
and
money
for
the
client.
For
monitors
that
are
of
a
lower
quality,
Colourspace
allows
for
large
cube
profiles
and
various
methods
for
creating
the
lut.
Colorimetry
Research
-
https://www.colorimetryresearch.com/products/cr-100
Colourspace
-
https://www.lightillusion.com/index.html
PAVtCAL
kit
also
includes
the
TVLogic
Is-MiniX
integrated
with
Colourspace
and
Wonderlook
Pro,
Xrite
i1
Display
Pro,
Xrite
i1Studio
POST
PRODUCTION
CINEMA
AND
TV
HOME
THEATRE
PC
WORKSTATION
PHOTOGRAPHY
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Terms
and
Conditions
DICOM
MEDICAL
Properly
calibrated
diagnostic
monitors
can
mean
the
difference
between
life
and
death.
DICOM
GSDF
Medical
Display
Calibration
uses
a
JND
(Just
Noticeable
Difference)
approach
to
calibrating
the
steps
between
each
level
in
the
display's
grey
scale,
combined
with
critical
colour
gamut
management.
PAV
t
CAL
uses
LightSpace
CMS
which
is
the
best
solution
for
calibration
of
displays
used
in
radiology,
endoscopy,
tomography,
ultrasound,
dentistry,
medical
surgery,
microscopy,
and
any
medical
imaging
application,
including
veterinary.
In
combination
with
Lightspace,
profiling
is
carried
out
with
a
Konica
Minolta
CA210
reference
colourimeter.
These
tools
provide
for
the
highest
accuracy
and
the
fastest
calibration
possible,
ensuring
that
money
is
not
spent
on
slow
inaccurate
probes
but
instead
on
greater
granularity
.
Through
the
use
of
3D
LUTs
the
level
of
volumetric
calibration
achievable
far
exceeds
traditional
grey
scale
only
DICOM
calibration,
maximising
the
visual
assessment
of
medical
images,
enhancing
the
ability
to
spot
items
of
interest
.
Lightspace
integrates
directly
with
common
diagnostic
displays
such
as
Eizo
and
NEC
for
3D
LUT
calibration.
PAV
t
CAL
also
has
the
ability
to
create
ICC
v4
profiles
with
an
embedded
3D
LUT
through
the
use
of
Spaceman.
Spaceman
also
allows
control
of
the
computer
VCGT
to
create
true
null
for
calibration.
THE
BENEFITS
OF
3D
LUT
CALIBRATION
Traditional
DICOM
medical
calibration
relies
on
the
use
of
ICC
profiles
for
display
calibration,
which
has
a
number
of
associated
issues
that
are
a
lot
less
than
ideal
for
accuracy
and
usability,
especially
when
you
need
to
be
able
to
rely
on
the
calibration
to
maintain
accuracy
without
question
.
High
granularity
3D
LUTs
ensure
completely
accurate
calibration.
Any
3D
LUT
created
in
Lightspace
can
be
integrated
with
v4
ICC
profile
using
Spaceman.
Many
calibration
systems
utilise
a
3x3
matrix
instead
of
a
3D
LUT.
The
issue
with
this
is
that
a
3x3
matrix
calibration
will
not
be
able
calibrate
all
available
colours
the
display
can
accurately
display,
while
a
3D
LUT
calibration
will.
A
matrix
calibration
will
clip
the
display
gamut
to
the
peak
colours.
Click
to
CONTACT
DISPLAY
CALIBRATION
SERVICES
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Terms
and
Conditions
HOME
THEATRE
HOME
CINEMA
Home
Cinema
is
a
market
that
demands
calibration
that
is
identical
to
that
used
within
professional
environments,
essentially
matching
the
calibrated
environments
used
when
grading
and
mastering
films
and
TV
programs
in
post-production
and
broadcast
facilities.
PAV
t
CAL
expertise
has
arisen
from
39
years
in
the
broadcast
television,
cinematography,
commercial
AV
and
post
production
industries.
This
expertise
is
now
available
to
the
home
theatre
market
for
people
who
want
the
best
experience
from
their
home
theatre
systems.
If
you
would
like
to
have
your
system
calibrated
by
one
of
Australia’s
acknowledged
experts
then
please
contact
us.
Click
to
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9303
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Terms
and
Conditions
POST
PRODUCTION,
CINEMA
AND
TV
It
goes
without
saying
that
monitor
calibration
in
post
production
is
critical,
yet
many
facilities
fail
to
attention
this
most
important
area.
The
monitor
is
the
device
that
is
used
to
make
judgments
about
picture
quality.
While
waveform
monitors
and
vectorscopes
are
essential
tools,
it
is
the
monitor
that
is
the
arbiter
of
image
quality.
Onset
monitors
are
also
equally
important.
Many
cinematographers
will
make
decisions
about
lighting
onset
while
looking
at
their
monitor.
Colourspace
provides
the
most
accurate
calibration
of
any
system
in
use
today.
In
combination
with
a
highly
accurate
and
very
fast
CR100
colourimeter,
it
is
possible
to
get
the
best
out
of
even
poor
monitors.
The
speed
of
the
CR100
makes
it
reasonable
to
do
4,913
(17^3)
in
2
hours
to
comprehensively
profile
any
monitor.
A
lower
cost
probe
or
spectro
would
take
many
more
hours
to
complete
a
profile
of
this
size
without
the
accuracy.
Matching
OLED
monitors
with
LCD’s
is
also
available
using
the
perceptual
matching
process.
This
requires
a
subjective
matching
of
the
OLED
white
to
the
LCD.
The
white
point
of
the
OLED
is
then
measured
and
these
xy
points
are
then
used
as
the
new
white
point
for
3D
lut
calibration.
This
has
proven
to
be
a
far
better
approach
than
the
Judd
offsets
for
white
points.
PAV
t
CAL
can
also
provide
camera
technical
and
look
LUTS.
Click
to
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Terms
and
Conditions
PC
WORKSTATION
AND
PHOTOGRAPHY
The
standard
VCGT
calibration
is
a
1D
LUT
and
therefore
only
capable
of
greyscale
calibration.
It
is
not
possible
to
correct
the
colour
of
the
display.
To
do
this
either
a
3x3
matrix
or
3D
LUT
is
required.
A
3x3
matrix
has
limitations
in
display
calibration
in
that
the
3x3
matrix
cannot
take
advantage
of
the
entire
display
gamut.
It
is
totally
governed
by
the
3
primaries
peaks.
A
3D
LUT
can
map
any
colour
and
therefore
can
take
advantage
of
the
displays
capability.
For
many
graphics
systems,
such
as
Photoshop,
LUTs
are
not
a
colour
management
option.
SpaceMan
ICC
will
convert
3D
LUTs
into
ICC
profiles
for
use
in
such
systems,
for
Look
Management
as
well
as
Display
Calibration.
With
this
technology,
PAV
t
CAL
are
able
to
provide
very
accurate
3D
LUT
calibration
with
ICC
v4
profiles.
Click
to
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Terms
and
Conditions
stuart@pavtcal.com.au
CONTACT
Contact
Us
40
years
expertise
in
broadcast
television,
post
production,
cinematography,
commercial
AV
and
consumer
retail
markets.
PAV
t
CAL
is
able
to
provide
design
services,
consultancy,
training
and
calibration
services.
+61
432
939
422
ACCOUNT
PAYMENT
HOME
CONSULTANCY
&
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Terms
and
Conditions
P
PRODUCT
MARKETING
SUPPORT
Product
development
support
Product
market
analysis
Brand
market
development
Go
To
Market
strategies
Sales
team
training
Technology
webinars
HOME
CONSULTANCY
&
Technical
Services
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Terms
and
Conditions
To
Order,
please
email:
stuart@pavtcal.com.au
Photo
Editor
Monitor
with
AdobeRGB
and
10-bit
IPS
Panel
SW240
24.1
inch
16:10
1920
x
1200
Resolution
99%
Adobe
RGB,
100%
sRGB,
95%
DCI-P3
Color
coverage
10-bit
IPS
Panel
with
14-bit
3D
LUT
Hardware
Calibration
Monitor
for
Photo
Editing
with
99%
Adobe
RGB,
Hardware
Calibration
-
SW270C
ETA
August
2020
27
Inch
2560x1440
Resolution
99%
Adobe
RGB,
100%
sRGB,
95%
DCI-P3
Color
coverage
10-bit
IPS
Panel
with
16-bit
3D
Look
Up
Table
(LUT),
integration
with
Lightspace
4K
Monitor
for
Photography
with
10-bit
Colour,
98%
DCI-P3,
HDR10
to
Edit
and
Retouch
Photos
-
SW271
27
inch
3840
x
2160
4K
UHD
with
HDR
(note
-
350nit)
99%
Adobe
RGB,
100%
SRGB,
93%
DCI-P3
Color
coverage
10-bit
IPS
Panel
with
14-bit
3D
LUT
Hardware
Calibration
4K
Adobe
RGB
Monitor
with
HDR,
IPS
Technology,
3D
LUT,
and
Hardware
Calibration
-
SW321C
31.5
inch
3840
x
2160
4K
UHD
99%
Adobe
RGB,
100%
sRGB
color
coverage
10-bit
IPS
Panel
with
16-bit
3D
LUT
Hardware
Calibration
&
Integration
with
Lightspace
Note
:
ETA
End
September
2020
$3199.00
$1999.00
$1499.00
$799.00
http://creative.benq.com.au/
More
BENQ
HOME
CONSULTANCY
&
Technical
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Terms
and
Conditions
Storage
Systems
Areca
Areca
Technology
Corporation
established
in
1999,
was
founded
by
a
group
of
engineers
primarily
from
the
most
distinguished
technology
institute
in
Taiwan.
Our
engineer’s
team
has
over
20
years
of
disk
array
relative
firmware/BIOS,
software
application,
device
drivers
and
ASIC
technology.With
a
solid
R&D
team,
Areca
designs
their
own
custom
ASIC,
a
high-speed
IDE
controller,
and
RAID
6
engine
on
their
controller
to
achieve
high
data
throughput
and
availability.Areca’s
products
provide
storage
products
for
virtually
all
areas
of
the
storage
market
including
DAS,
NAS,
and
SAN.
All
PCI,
SCSI,
and
Fibre
disk
array
controllers
support
RAID
levels
0,
1,
3,
5,
6,
10
or
JBOD.
Areca
has
completely
committed
its
entire
research
and
development
effort
to
disk
array
technologies
that
yield
fastest
performance,
best
reliability,
and
lower
cost
points
than
competitive
disk
array
solutions.
https://www.areca.com.tw/
Founded
in
2000,
Synology
is
dedicated
to
develop
high-performance,
reliable,
versatile,
and
environmentally-friendly
NAS
servers.
Our
goal
is
to
deliver
agile
and
cost-effective
solutions,
solid
customer
service,
and
ultimately
to
ensure
individuals
and
business
the
versatility
of
choices.
https://www.synology.com/en-global
https://www.tiger-technology.com/
Everything
you
need
for
efficient
and
collaborative
content-centric
Workflows
Store,
Share,
Manage,
Backup
&
Archive
Advanced
shared
storage
solutions
from
Tiger
Technology
transform
storage
management
from
a
time
consuming
and
confusing
operation
into
an
automatic
and
transparent
process.
Users
and
administrators
can
focus
on
creativity
and
productivity,
not
on
data
wrangling.
Extract
the
most
value
from
existing
storage
hardware
investments
with
intelligent
non-destructive
clustering.
Automate
storage
usage
allocation
with
policy-based
rules,
and
increase
productivity
and
uptime
with
automatic
defragmentation
and
system
tuning.
Advanced
Shared
Storage
&
Project
Workflows
for
editorial,
fx
&
graphics,
color
grading
and
finishing.
Whatever
your
storage
system,
whatever
your
platform,
whatever
your
creative
tool,
you
need
storage
and
project
management
to
work
together
and
power
the
creativity
and
productivity
of
your
shop.
Easy
to
setup
and
manage,
Tiger
shared
workflow
solutions
decrease
your
engineering
and
administrative
overhead,
and
allow
you
to
invest
in
the
final
product,
not
technical
staff.
Choose
from
flexible
network
storage,
project
and
hierarchical
storage
management
software
systems,
easy
to
setup
and
use
all-in-one
integrated
appliances,
or
the
best
of
both
for
the
most
demanding
workflows.
HOME
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Terms
and
Conditions
Post-Production
Systems
Design
PAVtCAL
provide
a
total
solution
for
Post-Production
suites
as
well
as
photography
creative
suites.
From
initial
consultancy,
through
to
design
and
installation
PAVtCAL
are
able
to
create
the
highest
quality
creative
suite.
Services
can
include
lighting
and
room
colour
advice.
PAVtCAL
are
able
to
provide
training
on
the
technology
involved
in
production
such
as
file
systems,
codecs,
colour
pipelines.
Click
to
CONTACT
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ABN
44
9303
73761
Terms
and
Conditions
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Light
and
Camera
Sensitivity
Calculator
Stuart
Pointon
T
Stop
Calc
Camera
LUX
Calc
LuxLevel
&
BeamCalc
Metric
LuxLevel
&
BeamCalc
Imperial
HOME
EXIT
ISO
Frame
Rate
Lux
F-Stop
CALCULATE
Enter
Data
LUX
Calc
Beam
Calc
HELP
HOME
EXIT
ISO
Frame
Rate
F
Stop
LUX
CALCULATE
Enter
Data
T
Stop
Calc
Beam
Calc
HELP
HOME
EXIT
Original
LUX
Original
Distance
Beam
Diameter
Distance
Distance
Slider
Metres
Light
Beam
Angle
Slider
Light
Level
in
Lux
New
Distance
Slider
Metres
T
Stop
Calc
LUX
Calc
HELP
GO
IMPERIAL
CALCULATE
CALCULATE
HOME
EXIT
Beam
Diameter
Distance
Distance
Slider
Feet
Light
Beam
Angle
Slider
Light
Level
in
fc
New
Distance
Slider
Feet
T
Stop
Calc
LUX
Calc
HELP
GO
METRIC
CALCULATE
CALCULATE
Original
LUX
Original
Distance
feet
HELP!
T
Stop
This
is
used
to
determine
the
lens
T
Stop
for
a
certain
light
level
measured
in
Lux.
Simply
input
the
Camera
ISO,
Frame
Rate
and
Lux
level
and
press
CALCULATE
and
the
T
stop
required
will
be
displayed
LUX
This
is
almost
identical
to
T
Stop.
In
this
calculator
you
put
in
the
values
and
press
CALCULATE
and
the
required
light
Lux
level
to
achieve
this
will
be
displayed.
BEAM
Calc
This
has
two
functions:
-
1.
A
calculator
to
determine
light
levels
at
a
set
distance
using
the
slider.
Simply
put
in
the
Original
Lux
box
the
light
lux
at
the
distance
in
the
specification
or
measurement,
put
in
that
distance
in
the
Original
Distance
box
and
the
result
will
show
the
light
level
at
a
distance
set
by
the
slider.
In
the
HTML5
version
click
the
CALCULATE
button
to
get
the
new
value
2.
A
calculator
to
determine
Beam
diameter.
This
is
useful
to
calculate
the
beam
diameter
from
a
light
source.
Simply
enter
in
the
light
specification
for
beam
angle,
set
the
distance
with
the
slider
and
the
beam
diameter
will
be
calculated
at
that
distance.
In
the
HTML5
version
click
the
CALCULATE
button
to
get
the
new
value
Return
Q
U
I
Z
CLICK
HERE
Colour
Management
for
Photographers
and
Design
Creatives
Welcome
to
the
Quiz!
I
know
that
for
a
lot
of
people
quizzes
can
be
quite
stressful.
But
I
would
like
those
of
you
who
find
them
stressful
to
view
the
quiz
as
an
opportunity
to
help
you
in
your
understanding
and
to
ensure
that
you
have
got
what
you
want
from
the
course.
You
can
take
the
quiz
as
many
times
as
you
like,
and
a
75%
score
will
result
in
the
award
of
a
Certificate
of
Completion.
Access
to
the
certificate
tab
will
appear
on
the
menu
page
when
this
is
achieved.
Good
luck
in
your
creative
career
and
thank
you
for
taking
this
course.
Kind
Regards
Stuart
Pointon
START
QUIZ
Enter
Your
Name
TERMINOLOGY
COLOURSPACE
&
GAMUT
VISION
AND
HOW
WE
INTERPRET
LIGHT
DIGITAL
MAKING
COLOUR
WORK
PRINTER
PROFILING
SCANNER
PROFILING
CAMERA
PROFILING
MONITOR
PROFILING
PROOFING
WEB
BROWSER
AND
TAGGING
ROOM
ENVIRONMENT
DISPLAYS
CERTIFICATE
RESUME
COURSE
Overall
Percentage
MENU
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will
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score
to
zero
and
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bookmark!
CONTINUE?
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-
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myBad
MAIN
WEB
PAGE
%
Select
two
responses
which
are
true.
Colour
Management……?
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Answer
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scored:
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TERMINOLOGY
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Percentage
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myBad
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Select
two
responses
which
are
true.
Submit
Answer
You
scored:
Marks:
RESET
TERMINOLOGY
NEXT
BACK
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Percentage
MENU
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COURSE
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will
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score
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zero
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clear
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bookmark!
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-
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NO!
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%
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Answer
You
scored:
Marks:
RESET
TERMINOLOGY
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Percentage
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COURSE
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Answer
Illuminant
A
Illuminant
D
Monitor
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scored:
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TERMINOLOGY
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Percentage
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Submit
Answer
Correct!
All
pure
colours
are
on
the
edge
of
the
CIE
diagram
Incorrect!
Pure
colours
are
on
the
edge
of
the
CIE
diagram
On
the
chromaticity
diagram,
select
Pure
Blue
You
scored:
Marks:
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TERMINOLOGY
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Percentage
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-
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myBad
%
If
we
had
a
light
source
with
red,
green
and
blue
emmitters
shining
onto
a
red
ball,
which
light
sources
would
be
reflected
from
the
ball
into
our
eyes?
Submit
Answer
RESET
Correct!
All
colours
other
than
red
are
absorbed
by
the
red
ball
Incorrect!
All
colours
other
than
red
are
absorbed
by
the
red
ball
You
scored:
Marks:
VISION
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BACK
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Percentage
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COURSE
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will
reset
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score
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-
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NO!
myBad
%
You
scored:
Marks:
A
light
with
the
spectral
response
as
shown
is
shone
onto
a
green
ball
with
the
spectral
response
as
shown.
With
this
light
source
being
the
only
light
source,
what
will
be
the
perceived
colour
of
the
ball?
RESET
Confirm
Answer
Incorrect
-
HINT!
Check
the
amount
of
spectrum
in
the
same
area
as
the
spectral
response
of
the
object
Correct!
Without
any
light
energy
at
the
spectral
area
of
the
object
means
that
the
image
will
appear
black
Light
Spectral
Response
Green
Ball
Spectral
Response
VISION
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BACK
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Percentage
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myBad
%
Submit
Answer
rods
cones
Receptors
in
the
retina,
known
as
and
convert
light
into
neural
signals
You
scored:
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VISION
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Percentage
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score
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%
TRUE
FALSE
Cones
are
the
receptor
used
for
night
time
vision
You
scored:
Marks:
Confirm
Answer
RESET
TRUE
FALSE
Daytime
vision
is
best
at
the
fovea,
where
cones
are
most
common
You
scored:
Marks:
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Answer
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VISION
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Percentage
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COURSE
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score
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%
Confirm
Answer
RESET
In
combinations
of
colours,
can
we
have
yellowish-red;
blueish-yellow;
blueish-red;
reddish-green?
Click
the
boxes
below
to
select
which
combinations
we
can
have!
You
scored:
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Percentage
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%
What
part
of
the
eye
gives
us
our
greatest
visual
acuity?
Marks
available:
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scored:
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Answer
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VISION
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Percentage
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score
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bookmark!
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myBad
%
Marks
available:
You
scored:
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Answer
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VISION
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BACK
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Percentage
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COURSE
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will
reset
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score
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myBad
%
Colour
is
two
(2)
dimensional
False
True
You
scored:
Marks:
SUBMIT
RESET
Hmm…maybe
you
want
to
rethink?
COLOURSPACE
NEXT
BACK
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Percentage
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COURSE
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score
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myBad
%
A
colourspace
is
a
colour
volume
with
at
least
primaries
and
a
white
point
Marks
available:
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scored:
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Answer
RESET
Complete
the
sentence
COLOURSPACE
NEXT
BACK
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Percentage
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COURSE
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%
What
defines
a
range
of
colours
within
a
colourspace?
Marks
available:
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scored:
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Answer
RESET
Gamut
COLOURSPACE
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Percentage
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Submit
Answers
RESET
Device
Dependent
and
Device
Independent
Colourspaces
Match
the
image
with
the
description/label
by
dragging
and
drop
each
image
into
place
.
INDEPENDENT
INDEPENDENT
PERCEPTUAL
DEPENDENT
DEPENDENT
PRINT
You
scored:
Marks:
COLOURSPACE
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BACK
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Percentage
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COURSE
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score
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myBad
%
Confirm
Answer
RESET
You
scored:
Marks:
CIE
Perceptual
View
Click
on
the
image
that
represents
a
perceptual
CIE
view
COLOURSPACE
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BACK
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Percentage
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myBad
%
Largest
Smallest
Submit
Answer
RESET
Drag
and
drop
into
the
frames
below,
the
colourspaces
in
order
from
largest
on
the
left
to
smallest
on
the
right
You
scored:
Marks:
COLOURSPACE
NEXT
BACK
Overall
Percentage
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BOOKMARK
COURSE
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Bookmark
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will
reset
your
score
to
zero
and
clear
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bookmark!
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-
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NO!
myBad
%
Confirm
Answer
RESET
Drag
and
Drop
the
bit
depth
precision
to
match
the
bit
depth
8
bit
256
1,024
65,536
32,768
Marks:
You
scored:
10
bit
16
bit
DIGITAL
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Percentage
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myBad
%
True
or
False
-
A
bigger
bit
depth
(i.e
16bit
vs
8bit)
means
a
larger
colourspace?
FALSE
TRUE
You
scored:
Marks:
Confirm
Answer
RESET
No,
that’s
incorrect.
Bit
depth,
made
up
of
code
values
are
just
numbers
to
represent
a
colour
within
a
colourspace.
For
instance,
maximum
saturated
green
in
an
8bit
sRGB
colourspace
is
0,255,0
and
the
maximum
saturated
green
in
an
8bit
ProPhoto
colourspace
is
also
0,255,0
Correct,
well
done!
Bit
depth,
with
it’s
code
values
are
just
numbers
within
a
colourspace.
An
8bit
sRGB
colourspace
has
the
same
number
of
code
values
as
an
8bit
ProPhoto
colourspace
DIGITAL
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Percentage
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COURSE
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score
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bookmark!
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-
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NO!
myBad
%
Bit Depth Artefacts
Click and slide the red slider to compare two images:
Digital
Artefacts?
Use
the
slider
on
the
images
on
the
right
to
see
the
artefacts
introduced
by
an
inadequate
bit
depth.
This
creates
an
artefact
known
as
Marks
available:
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scored:
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Answer
RESET
banding,
posterisation,
posterization
Correct!
Well
done.
Avoid
banding
at
all
possible.
Use
maximum
bit
depth
your
camera
offers
to
capture
your
images
Incorrect!
Try
again!
Avoid
these
artefacts
in
any
way
possible.
Use
maximum
bit
depth
your
camera
offers
to
capture
your
images
DIGITAL
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BACK
Overall
Percentage
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COURSE
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will
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score
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clear
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bookmark!
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-
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NO!
myBad
%
TRUE
FALSE
JPG
is
an
excellent
choice
for
archiving
your
master
images?
You
scored:
Marks:
Confirm
Answer
RESET
Incorrect
Correct
TRUE
FALSE
To
reduce
file
size,
it’s
OK
to
use
compression
with
TIF
files?
You
scored:
Marks:
Confirm
Answer
RESET
Incorrect
Correct
DIGITAL
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BACK
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Percentage
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COURSE
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Bookmark
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will
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score
to
zero
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bookmark!
CONTINUE?
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-
CLEAR
NO!
myBad
%
COLOUR
AND
MAKING
IT
WORK
FOR
US
Submit
Answer
RESET
Profile
PCS
Connection
Space
Marks
available:
You
scored:
Submit
Answer
RESET
Colour
Management
(Matching)
Module
CMM
Marks
available:
You
scored:
Expand
the
abbreviation
by
typing
into
each
box
-
check
your
spelling!
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BACK
Overall
Percentage
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COURSE
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will
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score
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-
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NO!
myBad
%
Submit
Answer
RESET
XYZ
L*a*b*
Name
the
two
colourspaces
used
in
Profile
Connection
Spaces
according
to
perceptual
or
non-perceptual
Marks
available:
You
scored:
Non-Perceptual
Perceptual
COLOUR
AND
MAKING
IT
WORK
FOR
US
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BACK
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Percentage
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score
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NO!
myBad
%
Select
two
responses
which
are
components
of
chromaticity
Submit
Answer
You
scored:
Marks:
RESET
COLOUR
AND
MAKING
IT
WORK
FOR
US
NEXT
BACK
Overall
Percentage
MENU
BOOKMARK
COURSE
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Bookmark
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score
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bookmark!
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myBad
%
Confirm
Answer
RESET
Your
Printer
Gamut
is
shown
in
the
image
on
the
right
in
the
multi-coloured
hexagon.
Select
which
working
space
is
the
best
to
create
images
for
printing
and
proofing
Marks:
You
scored:
Incorrect!
To
be
able
to
reproduce
as
accurately
as
possible
it’s
important
to
have
the
working
space
larger
than
the
destination
gamut.
Notice
how
the
yellow
gamut
clips
more
colours
than
the
white,
in
particular
the
cyan
region
Correct!
To
be
able
to
reproduce
as
accurately
as
possible
it’s
important
to
have
the
working
space
larger
than
the
destination
gamut.
Notice
how
the
yellow
gamut
clips
more
colours
than
the
white,
in
particular
the
cyan
region
COLOUR
AND
MAKING
IT
WORK
FOR
US
NEXT
BACK
Overall
Percentage
MENU
BOOKMARK
COURSE
Clear
Bookmark
This
will
reset
your
score
to
zero
and
clear
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bookmark!
CONTINUE?
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-
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NO!
myBad
%
What
provides
colour
management
systems
with
the
information
necessary
to
convert
colour
data
between
native
device
colour
spaces
and
device
independent
color
spaces?
Marks
available:
You
scored:
Submit
Answer
RESET
ICC
Profiles
Incorrect.
Please
check
spelling
and
try
again
Correct!
Well
done
COLOUR
AND
MAKING
IT
WORK
FOR
US
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BACK
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Percentage
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COURSE
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Bookmark
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will
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score
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bookmark!
CONTINUE?
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-
CLEAR
NO!
myBad
%
TRUE
FALSE
Using
a
generic
profile
is
all
that
is
needed
to
perfectly
correct
the
scanner
or
printer
for
colour
reproduction?
You
scored:
Confirm
Answer
RESET
TRUE
FALSE
A
single
custom
profile
is
all
that
is
needed
for
printer
and
papers?
You
scored:
Confirm
Answer
RESET
TRUE
FALSE
Profiles
always
have
a
source
and
destination?
You
scored:
Confirm
Answer
RESET
COLOUR
AND
MAKING
IT
WORK
FOR
US
NEXT
BACK
Overall
Percentage
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Absolute
Colourmetric
Relative
Colourmetric
Perceptual
Saturation
A
product
shot
to
maintain
a
specific
in
gamut
colour
Monitor
Calibration
Photograph
for
display
where
we
want
natural
looking
images
without
clipping
Graphics
presentation
where
we
want
to
keep
the
impact
of
colours
Hard
proofing
where
we
want
to
maintain
the
white
point
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INTENT
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01
02
03
04
05
Marks:
5
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scored:
COLOUR
AND
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IT
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US
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PRINTER
PROFILING
Calibrate
the
Device
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and
Output
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Target
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the
Test
Target
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Profile
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available:
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right
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sequence
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profile
creation
workflow
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